Arario Gallery company logo
Arario Gallery
Skip to main content
  • Menu
  • About
  • Artists
  • Exhibitions
  • Fairs
  • Press
  • News
  • Catalogue
  • Art Consulting
  • Contact
  • EN
  • KO
  • 简体
Cart
0 items $
Checkout

Item added to cart

View cart & checkout
Continue shopping
Menu
  • EN
  • KO
  • 简体

JUNG Kangja: LIFE GOES ON

Past exhibition
3 November 2023 - 6 January 2024 Shanghai
  • Press release
  • Installation Views
  • Works
  • Press
  • Share
    • Facebook
    • X
    • Pinterest
    • Tumblr
    • Email
Press release
ARARIO GALLERY SHANGHAI is pleased to present the solo exhibition of Korean artist JUNG Kangja (1942-2017) from 3 November 2023 to 6 January 2024. The exhibition will include not only paintings from different periods of her career, but also showcase the installation work “To Repress” created in 1968. As a pioneer of performance and experimental art, JUNG has had a profound impact on the Korean art world and even on Korean society. Archives documenting her early artistic practices will also be displayed, offering viewers a more comprehensive picture of JUNG's artistic journey.
 
During the military dictatorship of the 1960s and 1970s, Korea was experiencing rapid economic growth but social unrest and suppression of citizens' rights. Against this backdrop, JUNG graduated from the western painting department of Hongik University in 1967, and joined the avant-garde Korean art groups "Shin Jeon" and "The Fourth Group." In the same year, she participated in the landmark exhibition titled "Korean Young Artists Association Exhibition", which gathered a group of young artists who challenged the mainstream of art by introducing politics into the context of art, attempting to resist the rigid societal ideologies.
 
In 1968, JUNG collaborated with Korean artists Kang Kukjin (1939-1992) and Jung Chanseung (1942-1994) on a performance art titled "Transparent Balloons and a Nude (1968)”, in which audience were invited to hang transparent balloons on her half-nude body, subsequently popping them one by one. When all the balloons were burst, JUNG left the stage. The performance itself challenged the conservative social norms of the time. Throughout the performance, JUNG was completely passive and at the mercy of others, and the transparent balloons, on the other hand, served as a tangible metaphor for women's circumstances: from the balloons being affixed to the female body (society's expectations of women's roles) to being burst (the body being gazed and utilized) and their deflation process (gradually losing value as time passes by) until they appeared shriveled (being discarded). The performance revealed the societal situation of most women in that era.
 
In 1969, the installation "To Repress (1968)" was first displayed at “Hankook Ilbo Invitation Exhibition” in Seoul. It “depicts the oppressed existence of women,” the artist stated. The work consists of the soft cotton pressed down and deformed by a heavy steel pipe, unable to withstand the weight of it. By the comparison of flawless white and mottled rust, soft warmth and rigid coldness, viewers can perceive a palpable tension and sense of pain from the work. Compared to the performance art she created around the same period, this work didn't receive adequate attention. However, the artist herself attached great importance to this work. With the sketch and the photo of the installation, in 2018, this work was remade and exhibited again in the last solo exhibition she prepared before her death.
 
At the dawn of the 1970s, the Korean government began to impose severe sanctions on radical art movements. In 1977, JUNG moved to Singapore with her family, and returned to Korea five years later. From 1982 onward, she gradually shifted her focus to painting, through which her expression on social consciousness and sense of identity continued. She began to travel frequently to faraway places untouched by modern civilization and drew inspiration from her journeys. She traversed the vast Sahara Desert in Niger, painted lions and giraffes at the foot of Mount Kilimanjaro, and women in the clothing markets of Gambia… This series of works captured the raw vitality of distant lands, and embodied JUNG's fantastic imagination, as well as her dreams and passions.
 
In the later stages of her artistic career, JUNG continued to seek breakthroughs and new challenges. While she maintained an interest in tangible objects from reality, she was not confined to any specific paradigm. She deconstructed every object into its geometric form of a semi-circle, and believed that circles and straight lines, as the smallest units of all objects in the universe, represent the most fundamental essence. She wanted to liberate herself through “imaginations that I stretch in my own way in an unlimited, free space that is bound to nothing”.
 
JUNG’s creations at every stage unfolded along with her journey of life and mirrored her dreams and loneliness. She was active at the forefront of Korean experimental art in the 1960s and 1970s, but was underappreciated until 2000, when her artistic achievements were rediscovered and recognized. Recently, JUNG's debut work, "Kiss Me" was showcased in the touring exhibition "Only the Young: Experimental Art in Korea, 1960-1970s", curated by the National Museum of Modern and Contemporary Art (MMCA) in Seoul. The exhibition is currently on view at the Guggenheim Museum in New York and is scheduled to tour the Hammer Museum in Los Angeles early next year.

 

JUNG's works radiate a vibrant vitality, yet her path of creation has been a lonely and arduous journey. Despite this, she never ceased creating, but regarded art as her life and constantly pursued the dream of ideal. Now, she left us, but her spirit will continue to exist alongside her works.
Installation Views
  • Installation View Jung Kangja 2
  • Installation View Jung Kangja 3
  • Installation View Jung Kangja 1
  • Installation View Jung Kangja 6
  • Installation View Jung Kangja 10
  • Installation View Jung Kangja 11
  • Installation View Jung Kangja 5
  • Installation View Jung Kangja 4
  • Installation View Jung Kangja 7
Works
  • JUNG Kangja, To Repress, 1968
    JUNG Kangja, To Repress, 1968
  • JUNG Kangja, Rebirth, 1985
    JUNG Kangja, Rebirth, 1985
  • JUNG Kangja, Rose Festival 장미의 축제, 1986
    JUNG Kangja, Rose Festival 장미의 축제, 1986
  • JUNG Kangja, Kilimanjaro and Safari, 1988
    JUNG Kangja, Kilimanjaro and Safari, 1988
  • JUNG Kangja, The Tuareg Tribe Crossing a Desert (Niger), 1989
    JUNG Kangja, The Tuareg Tribe Crossing a Desert (Niger), 1989
  • JUNG Kangja, The Women in a Clothes Market (Gambia), 1989
    JUNG Kangja, The Women in a Clothes Market (Gambia), 1989
  • JUNG Kangja, Untitled, 1989
    JUNG Kangja, Untitled, 1989
  • JUNG Kangja, Flower and Two Women, 1990
    JUNG Kangja, Flower and Two Women, 1990
  • JUNG Kangja, Landscape with Dragon, 1990
    JUNG Kangja, Landscape with Dragon, 1990
  • JUNG Kangja, Self Portrait with Dragon, 1991
    JUNG Kangja, Self Portrait with Dragon, 1991
  • JUNG Kangja, India, 1995
    JUNG Kangja, India, 1995
  • JUNG Kangja, Even If the Earth Falls Tomorrow…, 1995
    JUNG Kangja, Even If the Earth Falls Tomorrow…, 1995
  • JUNG Kangja, Limited Road, 2000
    JUNG Kangja, Limited Road, 2000
  • JUNG Kangja, Untitled, 2003
    JUNG Kangja, Untitled, 2003
  • JUNG Kangja, Untitled, 2004
    JUNG Kangja, Untitled, 2004
  • JUNG Kangja, Mother and Child, 2004
    JUNG Kangja, Mother and Child, 2004
  • JUNG Kangja, Untitled, 2005
    JUNG Kangja, Untitled, 2005
  • JUNG Kangja, Vase with Roses and a Nude, 2007
    JUNG Kangja, Vase with Roses and a Nude, 2007
  • JUNG Kangja, Hibiscus and Bird Catching Fish, 2009
    JUNG Kangja, Hibiscus and Bird Catching Fish, 2009
  • JUNG Kangja, Child Playing with Mother, 2011
    JUNG Kangja, Child Playing with Mother, 2011
  • JUNG Kangja, Sahara, 2012
    JUNG Kangja, Sahara, 2012
  • JUNG Kangja, Couple in the Jungle, 2013
    JUNG Kangja, Couple in the Jungle, 2013
  • JUNG Kangja, Dance of the Sun Goddess , 2013
    JUNG Kangja, Dance of the Sun Goddess , 2013
  • JUNG Kangja, Limited Life, 2014
    JUNG Kangja, Limited Life, 2014
  • JUNG Kangja, Woman Dancing in Rapid Tempo, 2015
    JUNG Kangja, Woman Dancing in Rapid Tempo, 2015
  • JUNG Kangja, Text of Semi-Circle, 2016
    JUNG Kangja, Text of Semi-Circle, 2016
Press
  • The Korea Herald: JUNG Kangja

    Park Yuna, The Korea Herald, 2 January 2024

Related artist

  • JUNG Kangja

    JUNG Kangja

Back to exhibitions
Manage cookies
Copyright © ARARIO Gallery
Site by Artlogic
info@arariogallery.com
Instagram, opens in a new tab.
Facebook, opens in a new tab.
Youtube, opens in a new tab.

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Close

Join our mailing list

Signup

* denotes required fields

We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.