PARK Wunggyu's work follows the structure of religious painting. Buddhist paintings and Icons have common things, such as the use of halo or unique numbers. (...)Catholic culture, which controlled his daily life by offering morning, evening, and dawn masses, made him feel like oppression so he rejected but still its influence remained to him. After time goes by, Park Woong-gyu confessed that it was not such a tricky control, but it was hard to bear at that time.
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