布恩·卡路拜恩
传记
Buen CALUBAYAN (b. 1980) explores the contradictions inherent in the concept of Filipino identity through his artistic pursuit of self-verification. He perceives personal conflicts as microcosms of the nation’s ongoing struggles for autonomy and believes that the process of finding the appropriate artistic form to materialize these ideas also reflects a country’s inherent aesthetic sensibility. Fundamentally, for CALUBAYAN, thoughts translate into actions, actions shape objects, and objects must be reorganized into a new historical narrative—ultimately offering an opportunity to redefine his homeland’s identity. As an artist who must sustain his livelihood while continuing his creative practice, he constantly questions the contradictions embedded in his own identity. CALUBAYAN’s work unfolds at the intersection of art, labor, and education. He explores institutional frameworks such as painting, landscapes, and linear perspective, deriving from them various strategies and practices that examine the body’s rhythm, movement, and sensory capacities. Through this process, he challenges traditional models of power and oppression, seeking to reconstruct the relationship between the body and the world. Ultimately, his work focuses on the systems that operate within daily life and the institutions that shape and regulate our existence. Through diverse media and formats—including painting, drawing, video, and installation—CALUBAYAN critically examines the imposed Western visual system, offering alternative perspectives in response.
Buen CALUBAYAN lives and works in Manila, The Philippines. He studied Cultural Heritage at the University of Santo Tomas and worked as a conservation assistant at the UST Museum from 2002 to 2006 and as a researcher at the National Museum of the Philippines from 2010 to 2013. CALUBAYAN has held solo exhibitions at various venues, including ARARIO GALLERY SEOUL (Seoul, Korea, 2025), UP Vargas Museum (Manila, Philippines, 2023–2024) and ARARIO GALLERY Ryse Hotel (Seoul, Korea, 2019), and has participated in group exhibitions at venues such as Mindset Art Center (Taipei, Taiwan, 2020), House of World Cultures (Berlin, Germany, 2017), ARARIO GALLERY SHANGHAI (Shanghai, China, 2016), Gwangju Museum of Art (Gwangju, Korea, 2014), and the Metropolitan Museum of Manila (Manila, Philippines, 2013). Moreover, from 2008 to 2018, he took part in numerous residencies in Japan, Australia, Singapore, and other locations. In 2013, CALUBAYAN received a Fernando Zóbel Prize for Visual Art at the Ateneo Art Awards in 2013 and a Thirteen Artists Award from the Cultural Center of the Philippines in 2009.
作品
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(How to enjoy) a premature sunset (어떻게) 이른 석양을 즐길 것인가, 2025 -
A set of ecological backdrops 3 생태적 배경의 조합 3, 2025 -
A set of ecological backdrops 4 생태적 배경의 조합 4, 2025 -
Bodies remember everything you forget 몸은 당신이 잊은 모든 것을 기억한다, 2025 -
Draw on the land with your barefoot: a guide on placemaking 맨발로 땅에 선을 긋다: 장소 만들기에 대한 안내서, 2025 -
Draw your face to erase the land, and vice versa 2 얼굴을 그려 땅을 지우고, 그 반대로도 2, 2025 -
Draw your face to erase the land, and vice versa 4 얼굴을 그려 땅을 지우고, 그 반대로도 4, 2025 -
Drawing exercise for rhythm regulation 리듬 조절을 위한 드로잉 연습, 2025 -
Notes and sketches 노트와 스케치, 2025 -
Put your worries behind your basic needs 걱정은 내려놓고 기본 욕구에 충실하기, 2025 -
Restless questionings of moving bodies 2 움직이는 몸에 대한 끝없는 질문 2, 2025 -
Restless questionings of moving bodies 4 움직이는 몸에 대한 끝없는 질문 4, 2025 -
Rhythm of rhythms: on farming, learning, and living 리듬의 리듬: 농사, 배움, 그리고 삶, 2025 -
We never left the kindergarten 우리는 결코 유치원을 떠나지 않았다, 2025 -
Where you stand doesn’t mean you are on a stable ground 당신이 서 있는 곳이 안정된 기반은 아니다, 2025 -
A set of ecological backdrops 1 생태적 배경의 조합 1, 2024 -
A set of ecological backdrops 2 생태적 배경의 조합 2, 2024 -
Draw your face to erase the land, and vice versa 1 얼굴을 그려 땅을 지우고, 그 반대로도 1, 2024 -
Draw your face to erase the land, and vice versa 3 얼굴을 그려 땅을 지우고, 그 반대로도 3, 2024 -
On Land Reform, 2024 -
Restless questionings of moving bodies 1 움직이는 몸에 대한 끝없는 질문 1, 2024 -
Restless questionings of moving bodies 3 움직이는 몸에 대한 끝없는 질문 3, 2024 -
Structure without Shadows, 2024 -
Structure without Shadows, 2024 -
Structure without Shadows, 2024 -
Ground and Perspective (Series of 3), 2021 -
Ground and Perspective (Series of 3), 2021 -
Ground and Perspective (Series of 3), 2021 -
Pasyon and Revolution: Light and Brotherhood, 2019 -
Perspective Coordinates of Spoliarium, 2019 -
Mount Banahaw Experience, 2014/2019 -
Genius and Ambition, 2014 -
Grounding, 2013-2019
展览
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Buen CALUBAYAN, Amoy Araw: Rhythms of Play and Labor
Solo Exhibition 2025年2月26日 - 4月12日 SeoulBuen CALUBAYAN (b. 1980) is an artist based in Manila, Philippines. His work unfolds at the intersection of art, labor, ...继续 -
Buen CALUBAYAN: Landscape, Museum, Household - A Sweeper's Guide
RYSE HOTEL 2019年8月1日 - 11月10日 Seoul继续 -
Between the Street and the Mountain: Four Artists from the Philippines
2016年7月26日 - 9月2日 Shanghai继续
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