李銀實
Working with techniques rooted in traditional Korean painting, LEE Eunsil (b. 1983) visually articulates situations that that arise at the point where personal desire collides with social norms. Her practice attends to instinctual drives and impulses that are suppressed or obscured within contemporary society, translating the psychological conflicts that emerge from them into a metaphorical language of painting. Whereas her early compositions depicted the psychological conflicts of individuals resisting traditional customs and social norms by projecting them onto the architectural framework of the hanok and the figures of anonymous animals, the recent paintings after the 2020s gradually strips away external factors to focus on subject’s psychological statue and emotional currents, translated into abstract scenes. LEE summons onto the pictorial plane emotions that are intrinsic to contemporary human existence yet remain tacitly taboo within social structures, along with narratives long excluded from dominant discourse. By foregrounding stories buried in the intimate strata of personal memory, her paintings attempt to resonate with a more universal realm.
LEE was born in 1983 and received her BFA in Korean Painting from Seoul National University in 2006, followed by an MFA from the same institution in 2014. She has held solo exhibitions at various institutions including ARARIO GALLERY SEOUL (Seoul, Korea, 2025), No.9 Cork Street (London, UK, 2024), P21 (Seoul, Korea, 2021), U-jung Art Space (Seoul, Korea, 2019), Doosan Gallery (New York, US, 2016), Room 1003, Changgang Building (Seoul, Korea, 2013), Project Space Sarubia (Seoul, Korea, 2010), and Alternative Space Pool (Seoul, Korea, 2009). Her work has been presented in group exhibitions at König Telegrammfonamt (Berlin, Germany, 2025), National Museum of Modern and Contemporary Art (Seoul, Korea, 2024; Gwacheon, Korea, 2008), Gyeonggi Museum of Art (Ansan, Korea, 2024; 2008), Ilmin Museum of Art (Seoul, Korea, 2022), Seoul Museum of Art (Seoul, Korea, 2022; 2021), Kumho Museum of Art (Seoul, Korea, 2016), Leeum Museum of Art (Seoul, Korea, 2014), and the American University Museum (Washington, D.C., US, 2016), among others. She has participated in major domestic and international residency programs, including MMCA Changdong Residency, SeMA Nanji Residency, Seoul Art Space Geumcheon, Incheon Art Platform, Songeun Art Cube Studio, the Doosan Residency New York, and Ssamzie Space Studio. LEE was selected as a participating artist in major exhibitions such as The 29th Joongang Fine Arts Prize (2007), Young Korean Artists 2008 at the National Museum of Modern and Contemporary Art (2008), and ARTSPECTRUM 2014 at Leeum Museum of Art (2014). In 2019, she received the Excellence Award at The 19th SONGEUN Art Award, drawing significant attention. Her works are included in the collections of the National Museum of Modern and Contemporary Art (Korea), the Seoul Museum of Art (Korea), Songeun (Korea), and the ARARIO Collection (Korea).
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Between Life and Death 생사의 기로, 2025 -
Epidural Moment 에피듀럴 모먼트, 2025 -
Incision 절개, 2025 -
Marks 흔적, 2025 -
Mastitis 넘치는 마음과 그렇지 못한 태도, 2025 -
Reluctant Separation 쉽지 않은 분리, 2025 -
Stage 1 of Labor 전운, 2025 -
Struggle 고군분투, 2025 -
The Unstopping Gorge 멈추지 않는 협곡, 2025 -
Upward Pressure of Responsibility 밀려오는 숨, 2025 -
Waiting For You 오지 않는 너, 2025 -
Whirling Vortex (True Labor) 인생의 소용돌이, 2025 -
Chain, 2024 -
Crack, 2024 -
Hole, 2024 -
Intimate, 2024 -
Mind Full, 2024 -
Piece of Mind Ⅰ, 2024 -
Piece of Mind Ⅱ, 2024 -
Tentacle Ⅰ, 2024 -
Tentacle Ⅱ, 2024 -
비뚤어진 마음, 2024 -
Nonetheless Ⅲ 그럼에도 불구하고Ⅲ, 2022 -
Nonetheless Ⅳ 그럼에도 불구하고 Ⅳ, 2022 -
그럼에도 불구하고Ⅰ, 2022 -
그럼에도 불구하고Ⅱ, 2022 -
깊은 곳 Inner space, 2022 -
만병의 근원, 2022 -
솟음 Hold on, 2022 -
That day, 2021 -
Untellable Attempt 말할 수 없는 시도, 2021 -
Waves of Delusion Ⅰ 망상의 일렁임Ⅰ, 2021 -
Waves of Delusion Ⅱ 망상의 일렁임Ⅱ, 2021 -
Waves of Delusion Ⅲ 망상의 일렁임Ⅲ, 2021 -
뒤틀리는 분열, 2021 -
분열된 연결, 2021 -
엉망이 된 시간, 뒤엉킨 공간, 2021 -
와해, 2021 -
와해, 2021 -
탈진한 좌절, 2021 -
풍파, 2021 -
The other side, 2020 -
예민한 심장Ⅰ, 2020 -
예민한 심장Ⅱ, 2020 -
예민한 심장Ⅲ, 2020 -
BIONIC PENIS, PRESS THE BUTTON!, 2019 -
Packed 꽉 찬, 2019 -
Rise like a phoenix, 2019 -
Superposition State, 2019 -
뒤엉킨, 2019 -
사라진 음경골, 2019 -
은폐된 배란, 2019 -
자신 없는 숲, 2019 -
겨우, 2018 -
삶의 풍경, 2018 -
오랜 집, 2018 -
정관 수술 실패, 2018 -
깊은 방, 2017 -
밤의 달, 2017 -
한밤 중, 2017 -
Run Away, 2016 -
Suppression, 2016 -
숨겨진 계곡, 2016 -
선을 넘는다. 얼마든지 넘을 수 없다., 2014 -
Unstable 흔들리는 불안, 2013 -
가장 외로운.., 2013 -
곤두선 사람, 2013 -
나도 간다… … !, 2013 -
두고두고, 2013 -
부합, 2013 -
인내, 2013 -
참았어야 했는데, 2013 -
Delicate Confidence, 2010 -
Formal House 멀쩡한 집, 2010 -
Inertia, 2010 -
Shy #1, 2010 -
Shy #2, 2010 -
Underneath 가라앉은 진가, 2010 -
그 아래, 2010 -
일어나다, 2010 -
Into the Hole - Details, 2009 -
The inside of ⌜Into the hole⌟, 2009 -
Into the Hole, 2008 -
Neutral Space, 2008 -
Out, 2008 -
Stuck, 2008 -
Take off, 2008 -
중립적 공간, 2008 -
Self-Injury 해,학-자 害, 虐-自, 2007 -
Self-Injury 해,학-자 害, 虐-自, 2007 -
Self-Injury 해,학-자 害, 虐-自, 2007 -
The other's pain, 2006 -
대치 對峙, 2006 -
몽중아 夢中我, 2006 -
사정지통 射精之痛, 2006 -
사정지통(射精之痛) - self, 2006 -
“정말! 다들 화끈하게 일어나고 있잖아! ”, 2005 -
망 望, 2005 -
태도, 2004 -
태도, 2004
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LEE Eunsil, Surging Waves
Jung Yujung, Maeil Business Newspaper, 2025年12月24日 -
LEE Eunsil, Surging Waves
Juhye Yoon, AJUNEWS, 2025年12月22日 -
LEE Eunsil, Surging Waves
Park Uirae, Yonhap News, 2025年12月22日 -
LEE Eunsil, Surging Waves
Sooyoung Sung, Korea Economic Daily, 2025年12月17日 -
LEE Eunsil, Surging Waves
Kim Hyun, Art Chosun, 2025年12月17日 -
LEE Eunsil, Surging Waves
Ham Hyeri, Culturelamp, 2025年12月17日 -
LEE Eunsil, Surging Waves
Jung Hyunju, ART&BIZ, 2025年12月17日 -
LEE Eunsil, Surging Waves
Juhye Yoon, AJUNEWS, 2025年12月16日 -
LEE Eunsil, Surging Waves
Lee Jieun, newspim, 2025年12月16日 -
LEE Eunsil, Surging Waves
Park Hyunju, newsis, 2025年12月16日

