JUNG Kangja (1942-2017) has recently become one of the most dramatically revisited artists. Back in the 1960s, she was a major figure in the art world, known for staging Korea's first nude performance art, which sparked significant social controversy. However, she left for abroad for over a decade to escape the intense criticism and mockery. During this time, she faded from the art world's memory. Even after returning to Korea in the 1980s and continuing her work until her death, she remained largely unnoticed.
This year marked a significant resurgence in her recognition. It was spurred by the 'Korean Experimental Art 1960-70s' exhibition at both the National Museum of Modern and Contemporary Art in Korea and the Guggenheim Museum in the USA. Her installation 'Kiss Me' stood out as a highlight of the show. This resurgence aligns with the global art community's recent emphasis on reevaluating experimental art and spotlighting female artists. JUNG's sudden rise back into prominence was further cemented when she was featured as the sole Asian artist in the 'Modern Women' section of the Frieze Art Fair in London last month.
