莱斯利·德·察瓦兹

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传记

出生于菲律宾马尼拉的莱斯利•德•察瓦兹是一位年轻的艺术家，他的素材源于菲律宾经历过的殖民史、宗教、帝国主义等敏感题材，并真挚地对艺术在社会中的作用、功能和反响进行思考。凭借出类拔萃的技巧和感觉而受到关注的他，在过去几年间，对自己生活的社会做出犀利的比喻，即重组成为对现实的反应和时代性标志或象征。莱斯利•德•察瓦兹对于社会和艺术的价值观既坚定又明确，并通过反映努力和热情的作品，诱导人们对现实进行反思。在同时代美术界泛滥的没有概念或主体意识、只突出视觉冲击同类作品中，他的作品十分独树一格。

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作品

There Is Not Enough Pain and Pleasure in the World to Permit Giving Any of It Away to the Greed of Mankind, 2022
The Parable of the Poet in the Anguish of Existence, 2021
Pablo, 2020
Subjugating the Nuclear II: Ang Pagdadalisay, 2020
Aninag (Glare), 2018
Bangkulasi, 2018
Bought and Sold, 2018
Buro (Fermented), 2018
Déjà vu, 2018
Ego-Altered-Ego, 2018
Every Drop, 2018
Gold, Silver, Death, 2018
Hide and Seen, 2018
Higa sa Hangin (Lying Down in Air), 2018
Imor(t)al: Those Who Do Not Move Do Not Notice Their Chains, 2018
Lagabag ng Pangakong Katubusan (Fall of the Promised Deliverance), 2018
Lason ang Tula at Panghimagas Nitong Talinhaga (Poem as Poison and Its Metaphor as Dessert), 2018
Nightmare to the Peace in Heaven, 2018
Pinalakpak: After Prometheus Unbound, 2018
Props: Estados Aparatos (Props: State Apparatus), 2018
Sandata ng Diwa, 2018
State of the Nation II, 2018
To the Person Sitting in Darkness, 2018
What We Don't Know Won't Hurt You, 2018
Memoir of Traitor's Love, 2017
Apog, 2016
The escape to being and becoming, 2016
Dead Calm, 2015
24 Men, 2014
Highest quality, 2014
I just can't stop loving you, 2014
I Swallow Me Everyday, 2013
DPWH Meme The Penetration , 2012
Dengue, 2011
Midnight shift, 2011
Mondays Are Forever, 2011
PDA System Motherfuckers, 2011
The Dictator, 2011
Thy will be done, 2011
Trick or Threat, 2011
Vanity = Spectacle + Drama, 2011
Bureau-Crazy, 2010
Household Virtue No. 1, 2010
Numb, 2010
Pleghm , 2010
Same Old Bananas, 2010
Talampunay, 2010
Asian Wave, 2007
Everyday, 2007
LBFM: Lilly, 2007
Natamong Korona (Crowning Glory), 2003